Friday, June 23, 2017

Embrace the Wonder: My thoughts on Wonder Woman (2017)


I couldn’t not write about Wonder Woman. On a personal level, this film has been a revelation, a relief and an antidote. We’ve waited so long for this and it’s a huge moment, don’t let anyone tell you otherwise. In terms of reading, the Greg Rucka return and run on the series this year has really reinvigorated my love for the character and I would definitely recommend the DC Rebirth Wonder Woman as a great place to jump on and learn about this character and see what she really is.

I was emotional from the second they announced the Wonder Woman film. I was emotional from the first trailer and the first reviews when I felt an enormous sense of relief and a huge weight lifted. Like many, I did not like Batman vs Superman. There were very few redeeming features in it (Wonder Woman was one of the only ones) and I do not like Snyder’s interpretation of Superman. There’s been very little heart, very little joy and substance to be found in the DC cinematic universe for a while.

In the 12 months leading up to the release of Wonder Woman, I felt a lot of fear and trepidation. This was also partly due to the response to Ghostbusters last year, a film which I actually enjoyed. In the comic book world, over the last few years, there have definitely been some moments of extreme antipathy towards new female characters and feminist messages and campaigns led against a few creators. So a lot felt like it was at stake, approaching this movie and the emergence of a female hero, one of the trinity, into the mainstream cinematic universe. If it failed, we could very realistically not have had another chance at a female-led superhero movie for decades, and the stigma around them may have evolved into this amorphous thing that few would be brave enough to back or tackle.

I grew up obsessed with Star Wars, obsessed with football, with Lord of the Rings and superhero stories too. I always knew they were male-dominated, but I think I didn’t quite realise what I’d missed until this moment. Until I came out of Wonder Woman and burst into tears. I am so happy that there will be a generation of little girls growing up now, who get to see this and grow up with this too – to have both. But this film is so important, not just for those little girls, but for the little boys. The little boys who can also grow up in awe of a woman and see a different hero who they can also aspire to be like. I know my younger self needed this movie so much.

I felt something similar about 18 months ago, when Rey wields the lightsabre in The Force Awakens, and here I got to feel it through 140 minutes of a feature-length film devoted to it. I left feeling so lucky, and then also a bit uncomfortable that I had to feel lucky in the first place.

I’m so happy that Wonder Woman has had such a brilliant critical response. Critics have overwhelmingly picked up on the ground-breaking positives in the film and it scored 93% on Rotten Tomatoes, which is stunning after the DC films of recent years. On top of that, it’s done brilliantly at the box office and hopefully brought a whole new audience to the character and the comics. But, it’s so much more than all this to me.  

This is the most colour, saturation and vibrance that we’ve had in a DC film for a very long time. Some of the shots, both the colouring and composition, are jaw-dropping. The palette is full of variety and contrast and there are scenes that you will just find yourself gazing at and getting lost in. This is a film that needs to be appreciated on the big screen and I wish I’d seen it in IMAX too. It’s not CGI heavy until the end (and the CGI is slightly over the top in that sequence), but the light and colour that cuts through the DC darkness is such a relief.

Chris Pine completely won me over as Steve Trevor. The movie presents one of the nicer versions of Steve from the comics. The chemistry between Diana and Steve was magnetic and the romance element never overpowers the plot or individual character arcs, and doesn’t impact Diana’s growth. They both learn from each other, and neither compromises anything about their character in the process. They are partners doing their own thing. The movie shows how men and women who respect each other, balance each other and work well as partners and individuals. With the world as it is right now, and some of the worrying backwards steps in the last year, this film and Diana’s message and character was just what I needed. It’s a reminder of how we should all aspire to be; how we should think about everyone, love everyone, and never stop trying to help, and empathise with, every single living being. Diana’s empathy, which Steve and others first cannot understand, is one of her most unique and wonderful characteristics as a hero. 

Gal Gadot plays this perfectly. While watching this film, it feels like she was born to play Wonder Woman. She IS Diana in these moments. She nails her naivety, her reactions to mankind, her horror, her joy, her passion, her flaws, her limitless care and determination. It’s a stunning performance in every way and an iconic one. I’ve seen it compared to Christopher Reeve as Superman, and there are some wonderful parallels, particularly in the glasses, her goofiness in negotiating London society at first, and shielding Steve from a bullet with her wrist (notice also the little tribute to Rosie the Riveter posters in this scene). Wonder Woman was the ‘badass’ highlight of the travesty that was Batman vs Superman, but thank goodness she’s a million times more than that here.

Patty Jenkins directed this film brilliantly and it’s a breakthrough of incredible magnitude. It’s the first female-led superhero film, which didn’t have to change for anyone or anything or compromise any of its heart and soul. It’s here now for little girls, and boys, to grow up and enjoy and aspire to and that hopefully will get them reading and creating stories of their own, and not being afraid to tell them.

Yes, there are some narrative clichés and the villains are probably the weakest element of the film. More could perhaps have been done to not solely vilify the Germans, and to illustrate the point that both sides used hideous poisons and gases, and that both were culpable in so many ways. It also went down The Book Thief route of having German accents, but not the language, which I always find a bit weird. For me though, this film gets so much more so very right than it gets wrong. It didn’t have to be perfect, it had to be sincere and it had to be good – and it is. Patty Jenkins has made what they said was impossible and I feel so much gratitude towards her and Gal, to the scriptwriters, the composers, the costume-makers, and those of the comic writers and artists who really properly captured Diana over the years – who helped bring the heart and soul and the art to this movie and made it more than just ‘another superhero movie’.

I want to relive this experience again and again. I want to take everyone I know, of every age and gender. I hope they’ll feel it too, and understand. Take your daughters and your mothers but also your sons, brothers and fathers and show them this is also for them.

It has been so wonderful to witness the outpouring of love and solidarity from other directors, actors, writers and artists. They know what it means, and it’s such a tremendous show of unity and togetherness – and also so deeply individual and personal. I loved Greg Rucka’s tweet: ‘So much I love about #wonderwomanmovie but it comes down to this: @PattyJenks was sincere throughout. @GalGadot was sincere throughout. It’s a beautiful statement. It is an inspiring statement…’. And Gail Simone too – one of the most incredible comic writers to work on the book (and so many others) over the years: ‘I apologize for raving, but honestly, this is what I have been fighting for for years and I kinda feel like crying’ and ‘I get to go to bed knowing the Wonder Woman movie is in the world and is going to inspire kids for decades. BUT HOW DO I SLEEP NOW’. And so many wonderful people outside of the world of comics – who all found something in this movie too.

There’s over 7 billion people on this planet, people with different lives, different DNA, different circumstances and experiences. We can and should do our best to represent – but so much is so intensely individual that there will never be a perfect or fully satisfactory single representation. It doesn’t mean we can’t try to be sincere and still use imagination and empathy in fiction. There will always be faults, and things missed, but we can and should strive to acknowledge the beauty of a sincere creative effort, while always aspiring to do more and be better each time. The important thing is to keep creating and encouraging art and provoking thought and discussion. We can have hope and we can dream and do better and we can definitely stand up and applaud all those who aim to do the same.

Update:

I’ve now seen the film twice and just sat back and revelled in every frame the second time. I definitely appreciated things like the soundtrack even more and I bought it immediately after. The music is so powerful and deeply evocative in every scene. It’s beautifully composed and performed, to capture every nuance and flicker of emotion.

On second-viewing that no-man’s land scene absolutely stood out even more. It’s flawlessly done and in the trailer it was the bit that I thought might make me cringe, but the editing, the photography, the pacing and the performance is pitch-perfect. I sat there in wonder and awe. That and the village scenes are the pinnacle of the film. I grew to love the characters of Sameer, Charlie and the Chief - again all had their flaws but all also had their individual stories and experiences which gave little insights into history and different experiences of war. I also loved Themyscira and the Amazons, the comedic moments as Diana encounters London are so much fun, and then the emergence of her and Steve’s partnership and the way everyone around her grows to respect her difference. The third act becomes a bit more like a standard Snyder-verse DC movie, and the CGI battle at the end has some weaker moments, but there are still moments in it with so much heart, beauty and power that had me in tears.

I really hope there’s a substantial featurette on the DVD about the Amazons and the incredible women who play them. Watching it the second time, I revelled in Robin Wright’s performance even more. She is immense as Antiope and her scenes are breath-taking. She exudes power, wisdom, experience and beauty and I love that they show her scars, muscles and lines proudly.

Sadly there isn’t enough time in the story to give enough to the incredible Amazon women, but I appreciated every second we had with every one of them. Ann Wolfe as Artemis is a great example. She looks incredible; proud and strong, and I hope it shows young girls that strength, power and athleticism are beautiful and aspirational too. Wolfe is widely acknowledged as the best female boxer in history. I love that they didn’t necessarily choose actors to play the Amazons, they chose extraordinary people who embody their spirit already.

This incredible cast excelled at everything that traditionally has always been ‘male-dominated’ – women with spears, arrows, wrestling, kickboxing – and the camera worked to show it all in its glory (slow-motion was used so well in this film, and not enough to feel too gimmicky). Here are women being completely natural as warriors. These aren’t girls dreaming of being the next Hollywood star on the cover of a magazine, they’re athletes, fighters, horsewomen, there’s even a published scientist – champions and, above all, hard-workers - all with different body types (see http://thenerdybird.com/who-is-she-meet-wonder-womans-amazon-warriors/ for more about all these women!). Take notice, because no matter their screen-time, these women are such an important part of this film and what it’s about. 

All that's left is just to say how glad I am that this film exists and just thank you to Gal Gadot and Patty Jenkins especially, but also to all the creatives who played their part in this journey and who were, in the words of Rucka, sincere. 


Thursday, May 18, 2017

Review: The Flame in the Mist by Renee Ahdieh


Goodreads synopsis:
The daughter of a prominent samurai, Mariko has long known her place—she may be an accomplished alchemist, whose cunning rivals that of her brother Kenshin, but because she is not a boy, her future has always been out of her hands. At just seventeen years old, Mariko is promised to Minamoto Raiden, the son of the emperor's favorite consort—a political marriage that will elevate her family's standing. But en route to the imperial city of Inako, Mariko narrowly escapes a bloody ambush by a dangerous gang of bandits known as the Black Clan, who she learns has been hired to kill her before she reaches the palace.

Dressed as a peasant boy, Mariko sets out to infiltrate the ranks of the Black Clan, determined to track down the person responsible for the target on her back. But she's quickly captured and taken to the Black Clan’s secret hideout, where she meets their leader, the rebel ronin Takeda Ranmaru, and his second-in-command, his best friend Okami. Still believing her to be a boy, Ranmaru and Okami eventually warm to Mariko, impressed by her intellect and ingenuity. As Mariko gets closer to the Black Clan, she uncovers a dark history of secrets, of betrayal and murder, which will force her to question everything she's ever known.

Renee Ahdieh’s The Wrath and the Dawn duology was one of the fantasy debuts that I most enjoyed in the last two years. She has a deft touch with words and is great at creating the atmosphere of each world. She’s definitely a fantasy author to look out for over the next few years. There are definite parallels to Mulan in The Flame and the Mist, but very loosely. The Flame in the Mist is set in feudal Japan, as opposed to feudal China, but an obvious parallel is lead character, Hattori Mariko, adopting the guise of a boy in order to infiltrate the mysterious Black Clan. By doing this, she seizes control of her own future for the first time in a life that had thus far been sheltered and her destiny (marriage) decided for her.  

The pivotal moment, after she has apparently been attacked by the Black Clan and is threatened by a stranger, comes with this line:

‘I will not be bandied about by men any longer. I am not a prize to be bought or sold.’

With that, and the actions she follows it with, she reclaims her agency and sets the events of the story in motion. Ahdieh’s novel explores gender roles, and class, in feudal Japan (with definite relevance to the modern day too) and Mariko comes to stand out to the reader as a feminist mouthpiece within the culture of the book. When it seems sudden and forced, it is because there is not so much insight into her internal life (and can come across as being ‘told’ rather than ‘shown’ – this also goes for a few of Mariko’s other traits, such as her ingenuity) before the pivotal moment of her seizing control, but it becomes an invaluable part of who she is and will definitely be of value to readers, especially teen girls and boys who are reading fantasy for the first time.

The feudal setting of Japan is rich and detailed and was a joy to read about. It is a slow-burner and definitely a world that you grow into, but it’s very much worth it and is rich, vibrant and elaborate. My main reading experience of Japan has come through Haruki Murakami – which is obviously very different – so this was a new experience for me and Ahdieh drew me in masterfully. There’s definitely still a lot to be revealed about the characters’ pasts so I’m looking forward to that. Nothing about the book was predictable so I was genuinely riveted and eager to unravel the mysteries while reading. I am not a big fan of the romance angle that seems obligatory in YA fantasy, but the romance in The Flame in the Mist is very much secondary, a slow-burn and the element of disguise and mystery between the characters is very compelling. They are certainly interesting characters in their own right, with their own paths to follow – and very much equals, though I felt the male character did suffer from the brooding anti-hero trope.

The magical/fantastical elements are used sparingly in this book, and a little vaguely, but perhaps they will have a bigger role to play in the sequel. Mariko’s brother, Kenshin, also has some POV chapters and this provides a good foil – though we don’t get so much insight into his internal life. It will be interesting to learn more about Mariko’s family and their goals, and whether they’re all as honourable as she believes. I want to keep reading already. 


I would recommend this to anyone even loosely intrigued by the premise. I think there’s much more to come from Ahdieh and I will certainly read on with interest. I really admire how she’s willing to dive into a variety of cultures and create such rich stories with many layers of mystery and intrigue that need time to be unpacked fully. 

Quotes:

  • “We are so much more than what we do!” Mariko drew closer, as if nearness could invoke a sense of truth. “We are …” she searched her mind for the right things to say. “Our thoughts, our memories, our beliefs!” her eyes dropped to the dying boy. To the evil tree, slowly draining him of life. “This tree is not the forest,” she said softly. “It is but one part.”
  • I don’t want you to be a hero. And I don’t need anyone to save me.’
  • 'Mariko nudged the handle of her spoon with a bound fingertip. “Are you ever angry you were born a woman?” Yumi sat back on her heels and studied Mariko for a spell. “I’ve never been angry to have been born a woman. There have been times I’ve been angry at how the world treats us, but I see being a woman as a challenge I must fight. Like being born under a stormy sky. Some people are lucky enough to be born on a bright summer’s day. Maybe we were born under clouds. No wind. No rain. Just a mountain of clouds we must climb each morning so that we may see the sun.’
  • 'Mariko supposed it was possible all women and men were forced to wear their own kind of masks’


*Thank you to Hodder and NetGalley for a chance to read an eARC of the book.

Monday, May 1, 2017

'Find out what you might become' - Review: Defy the Stars by Claudia Gray


Goodreads synopsis: 

Noemi is a young and fearless soldier of Genesis, a colony planet of a dying Earth. But the citizens of Genesis are rising up - they know that Earth's settlers will only destroy this planet the way they destroyed their own. And so a terrible war has begun.

When Noemi meets Abel, one of Earth's robotic mech warriors, she realizes that Abel himself may provide the key to Genesis' salvation. Abel is bound by his programming to obey her - even though her plan could result in his destruction. But Abel is no ordinary mech. He's a unique prototype, one with greater intelligence, skill and strength than any other. More than that, he has begun to develop emotions, a personality and even dreams. Noemi begins to realise that if Abel is less than human, he is more than a machine. If she destroys him, is it murder? And can a cold-blooded murder be redeemed by the protection of a world?

Stranded together in space, they go on a whirlwind adventure through Earth's various colony worlds, alongside the countless Vagabonds who have given up planetary life altogether and sail forever between the stars. Each step brings them closer - both to each other and to the terrible decision Noemi will have to make about her world's fate, and Abel's.

I hadn’t read any of Claudia Gray’s books before this year, though I’d heard them recommended. I actually read Bloodline, my first Star Wars novel, back in January and really enjoyed it. I was still mourning Carrie Fisher and it was such a deft and impressive insight into Leia as a Senator and politician. It captured her spirit perfectly and cemented Claudia Gray as someone to look out for.


So when I heard about Defy the Stars, I thought I’d see what it was like.

It could have fallen into many a cliché if it had gone down the full-blown romance route, but it’s actually a deftly-handled look into the complications of a sentient AI and the romance angles are limited and I think you're meant to feel conflicted about them - I suppose for reasons that were also portrayed in the brilliant Westworld series this year. 

Noemi and Abel are both strong characters on their own and are both relating to their circumstances in very different ways. Noemi is a soldier for her planet, Genesis, which is resisting an invasion by Earth and Abel is a lost mech, the most advanced android in the galaxy, stranded in the middle of nowhere – lost to his master/father figure.

Mechs are designed to be disposable, to risk their lives where humans cannot, while Naomi has to come to terms with her role as a Genesis soldier – also expendable for the ‘greater good’ and the consequences that has for her faith. The story is really about them both finding their individual sense of purpose and liberation and learning how to make their own choices. I believe it’s going to be a duology and that the worlds will be fleshed out and it’s certainly left perfectly poised.

‘Conflicts are the price of sentience […] assert your own will. It’s the first step toward being something more than a machine. Find out what you might become.’

I definitely think the U.S. cover is stronger and more accurate to the book. The U.K. one is quite misleading and looks a little like a space-erotica. Which this book is not – at all. It does it a disservice. The book is very action heavy but the strongest moments are Abel’s moments of introspection and his relationship with his creator – Burton Mansfield – Earth’s leading scientist and the designer of androids for the purposes of war. The truth about Burton is something that the reader suspects naturally (recognising those self-seeking human qualities) but there is no reason why Abel should, so it is still emotionally compelling to see him discover the truth for himself and to have his innocence shattered. So much of his character is built around his loyalty to and what certainly seems to be affection for his creator, who he really sees as his father. It is all he has ever known to want – to be reunited with Burton. But his programming has been evolving while he has been stranded, and the narrative becomes him learning that there are other things to want.

‘Burton Mansfield’s greatest sin was creating a soul and imprisoning it in a machine’

Noemi, on the other hand, is intensely passionate, committed to her faith, though also questioning it, racked with guilt over the death of her friend, and determined to save her world, no matter the cost. These two personalities clash but also inform each other and come to teach the other the qualities that it is lacking. It’s very carefully portrayed and built up throughout.

There is definitely room for the narrative to go deeper (perhaps exploring the morality around human and AI nature and interaction even further, as Westworld did) and the political situation to be explored, and hopefully these are things that will be addressed in the sequel. It was a fast-paced and engaging read, even though it didn’t break any new ground in the genre, it certainly avoided its trappings and never fell into over-sentimentality. I’m interested to see where these two characters go and hopefully it only gets more complex. 

Thank you to Hot Key Books and NetGalley for a chance to read an eARC of the book.